Soundscape: The Journal of Acoustic Ecology
We are excited about our organization's publication, Soundscape: The Journal of Acoustic Ecology. This annual Journal is available to all members of an Affiliate Organization.
After years of working to establish a functioning international network through the World Forum for Acoustic Ecology (WFAE), we are now able to devote time to offering a professional journal. In the past, The Soundscape Newsletter, The New Soundscape Newsletter, and this web site, have been the primary means of keeping the acoustic ecology community connected and informed. Now it is time that we pool our energies through this new publication. We see this journal as a place of dialogue and debate and invite your comments, questions and critical voices.
We archive previous editions of the Journal online 6-12 months after publication (see below). We provide this as a service to members and others interested in the field of acoustic-ecology. Journals are available in a PDF format.
Instructions for the preparation of materials for submission to soundscape – The Journal of Acoustic Ecology by Robert MacNevin. All contributing authors are asked to follow these guidelines in the preparation of manuscripts for the Journal. Topics include organization, font, style, submission of graphs, charts, photographs, and other materials.
| Volume 12, Number 1 Winter/Spring 2012-2013 - The Global Composition
- Acoustic Ecology Considered as a The Early Days and the Future
- Insights into the Global Composition - Taken at Three Stricken Places in Japan
- What Should the Soundscape Community Do When Listening to the Soundscapes of Fukushima?
- Onterferences Between Acoustic Perspectives in Enclosed Social Environments of Istanbul
- GPS Sound Walks, Ecotones and Edge Species; Experiencing Sound within Teri Rueb's Mobile Metaphor
- Sonic Ecologies: Exploring the Agency of Soundscapes in Ecological Crisis
| Volume 11, Number 1 Fall/Winter 2011 - Crossing Listening Paths
- Exploring Balance & Focus in Acoustic Ecology
- The Listening Workshop: Nature notes from WFAE 2011, Corfu
- Schafer's and McLuhan's Listening Paths - Convergences, Crossings & Diversions
- Biophilic Soundscape Design in the Second Order of Nature
- Revisiting the Vancouver Soundscape Tape Collection: Motives, Intentions, & Practice
- Soundscape Models & Compositional Strategies in Acousmatic musicTowards a Theory of Museological Soundscape Design: Museology as a 'Listening Path'
- Listening to the Ecosystem of the Turtle: Enabling the disabled to cross the listening paths of acoustic ecology and environmental education
- Bringing the Sounds Back to Etz Hayyim: An acoustic profile of a resurrected endangered space
- The Soundscape of Burning Man
- A Second Life for Sound: Crossing Sonic Paths in Virtual Worlds
- Automatically Updated Soundmaps as a tool for environmental monitoring: Research in progress
- In Memory of Iannis Xenakis
Volume 10, Number 1 Fall/Winter 2010 - Sonic Ambiance
- Thanking Nigel
- Vertitinous Spaces, Phantasmagorical Georgraphies: Soundscape Composition After Sebald
- Sounding Interiors: Daydream, Imagination, and the Ausculation of Domestic Space
- Acoustic Territoriality and the Politics of Urban Noise
- Spatial and Sonic Evaluation of Urban Public Space Ambiaces
- Sound Diary
| Volume 9, Number 1 Fall/Winter 2009 - Antipodean Perspectives on a Changing World
- Snap Crackle and Pop; On listening, memory and amnesia
- Location, Location, Location: Auditioning the vocalizations of the Australian Pied Butcherbird
- Two Way Traffic: mediation of identity through sound, and sound through identity
- Aural (re)locations: Listening to place
- Thinking about Grain Of The Voice
- Photographic document of a field trip to the Muller Range, Papua New Guinea, August 2009
| Volume 8, Number 1 Fall/Winter 2008 - Pioneers, Pathfinders and Earcleaners
- American Frontier Soundscapes: Rehearing the Old West
- Hearing the Free Music: Percy Graingers, Australian Visionary of the Soundscape, Creator of Electro-Acoustic Free Music and Sound Machines
- Pure Geographer. Observations of J.G. Grano and Soundscape Studies
- Music Concrete as one of the preliminary steps to Acoustic Ecology
- The Pioneers of Soundscape in Finnish Music Education: Listening to List Tenkku and Mrs. Ellen Urho.
- Dr. Robert E. Knowlton: Considering the Costal Acoustic Carpet
- Meetings with R. Murray Schafer: Composer, educator and founder of Soundscape Studies
- Shin Ryoan-ji: a Digital Garden
- Acoustic Communication Studies at Simon Fraser University
- Bringing Soundscapes Into the Everyday Classroom
- Teaching Acoustic Ecology
- Stockholm Soundscape Project
- “With the Calm, Comes Silence”
- The Concept of Soundscape and Music Education in Japan
- Sound Reflections
- Acoustic Ecology and Environmental Studies
who join a WFAE Affiliate Organization receive the Journal with
their membership. Complete membership information is available
on the WFAE Membership
and Library Journal Subscriptions:
Soundscape: The Journal of Acoustic Ecology is an English language publication with articles, reports and information about activities and events of the international acoustic ecology community. Each WFAE membership includes an annual subscription to the journal.
- 1 year Individual paper copy subscription US $25
- 1 Single copy back issue purchase US $25
- 1 year Library or Institution paper copy subscriptions US $50
World Forum for Acoustic Ecology (WFAE)
P.O. Box 268
FAIRFIELD VIC 3078
Please do not send drafts, as bank charges are very high! Please send US cheques, international money orders, or travelers cheques made out to the WFAE.